Lenora de Barros
Wanted by Myself
Georg Kargl Fine Arts is proud to present the work of renowned Brazilian artist Lenora de Barros for the first time in Austria. The exhibition, on view from June 27 until October 12, will feature a curated group of works representing the gamut of her artistic practice, from 1979 through 2019, including photography, video, multiples and an installation enveloping the Georg Kargl Box.
Lenora de Barros (born 1953) is a visual artist and poet based in São Paulo. She studied Linguistics at the University of São Paulo’s School of Philosophy before starting her artistic practice in the 1970s— a time of intense artistic experimentation in Brazil, despite the tense political conditions imposed by the military dictatorship (1964-1985). Her work is represented in a number of public collections, including Museu d'Art Contemporani in Barcelona, Museu de Arte Moderna de São Paulo, Centro Cultural São Paulo, and Daros Latinamerica Collection in Zurich. Among LB’s recent exhibitions are “Radical Women: Latin American Art, 1960-1985” (Hammer Museum, Los Angeles; Brooklyn Museum, New York; Pinacoteca do Estado, São Paulo); “Ready Made in Brazil” FIESP, São Paulo; “ISSOÉOSSODISSO” Paço das Artes, São Paulo; “Umas e Outras” PIVÔ, São Paulo; “ULTRAPASSADO I and II” Broadway 1602, New York; “Pregação” Pioneer Works, Brooklyn; “Circuitos Cruzados: O Centre Pompidou Encontra O MAM” Museu de Arte Moderna, São Paulo; “Coleção Itaú de Fotografia Brasileira” Paço Imperial – Centro Cultural do IPHAN, Rio de Janeiro; 3rd edition of the “Trienal Poli/gráfica de San Juan: Latinoamérica y el Caribe”; SONOPLASTIA, a sound installation at Millan Gallery, São Paulo; and the 11eBiennale de Lyon “Une terrible beauté est née”.
While text and language have always remained central to LB’s work, her practice also encompasses live, recorded, or photographed performance, providing critical commentary upon aspects of pop art, Fluxus, conceptual art, and body art.
“I have always been interested in the contact between languages, in generating meanings through the confrontation of different languages, particularly the verbal, visual, and acoustic aspects of words. I derive great pleasure in creating relations between codes by means of juxtaposition and contamination — working at the limits, at the borderlines. There is no fixed rule in my creative process that determines priorities or hierarchies. At times, it is a word, a sentence, a budding verse that crops up, and from that element I establish the visual and oral expression ascribed to that ‘content’. At other times, the process is reversed: the visual language imposes itself first, and the text follows. Sometimes, I create “pure” texts or just photographic images, visual sequences (videos) or just objects, object-poems and/or installations, where the various language forms blend into a dialogue (or a ‘trialogue’), so as to produce variousmeanings.”
The exhibition highlights LB’s unique amalgam of visual poetry and language-based performance. The artist draws inspiration from Brazil’s richly experimental modernism, from Oswald de Andrade’s concept of cultural anthropophagy (1920s) to Concrete Art and Poetry (1950s), of which her father was one of the main practitioners. Included here are some of the artist’s most iconic works, starting with one of her first visual poems, Poema (1979), a photo-performance composed of a series of 6 black and white photographs depicting the artist's tongue coming into contact with the keys and mechanisms of a typewriter.
An important group of LB’s unusual and extraordinary poems created during the late 70s and early 80s were published in her first book Where It's Seen in 1983. Some of these poems dispensed with words altogether, and were instead constructed as photographic sequences wherein the artist acted out different characters in performative actions. The book carries LB’s unique voice, informed by a Duchampian twist, often employing irony and referencing the feminine universe. One such poem is Laugh/Cry (1975), comprising two mirrored “scores” with a written sequence of sounds relating to the act of laughing and crying that overlap. This work is presented here as a plexi-mounted folding multiple with an audio component performed by the artist. Prominently featured in the recent groundbreaking exhibition “Radical Women,” Homage to George Segal was the artist’s first experiment with video in 1984. The video sequence shows the artist frantically engaged in the banal action of brushing her teeth, the foam gradually developing into a sculptural mask that obliterates her face, ultimately recalling the signature plaster-bandaged figures by the American artist George Segal.
This performance had been staged earlier by LB in 1975 and served as a starting point for the video. Both the 1975 sequence of black and white photographs and the 1984 video are featured. As made evident in the exhibition, the artist’s mouth (as subject and as site) figures prominently in numerous manifestations throughout her oeuvre: as a stand in for the spoken language, as a means of inferring violence, and as a sign for open sexuality and individual expressivity. LB’s photo-performance In the Land of the Great Tongue, Give Meat to Those Who Want Meat, which shows the artist forcefully biting her own tongue, was created for the 24th Bienal de São Paulo in 1998. It was the artist’s response to Oswald de Andrade’s Cannibalist Manifestoof 1928, which proposed cultural cannibalism as a form of resistance to European colonial cultural domination.
The artist later redeveloped this work in new mediums such as the video performance that is part of this exhibition. From 1993 to 1996, LB had a weekly column at the major newspaper Jornal da Tarde (São Paulo), entitled “… Umas.” Today, this discursive context could be considered a "pré-blog”, in which the artist published numerous photo-performances, visual poems, and poetic texts proposing unique relationships between text and image while commenting on the status of art, photography, and poetry. Procuro-me [Wanted by Myself] was first published in that venue, prompted by the 9/11 terrorist attacks in New York. The reflexive form of the verb “procurar” (to search) is here used in relation to herself. The Procuro-me [Wanted by Myself] posters were based on photographs taken in a shopping mall employing a software developed for hairdressers and their clients. LB recalls that the photographer objected that she displayed an expression of astonishment instead of a typical smiling face as the posed for the hairdos. This work would later unfold into a series of other projects, several of which are represented at the gallery in the form of an installation, editions and a new mirror multiple made especially for this exhibition.
Lenora de Barros
Biography
born 1953, lives and works in São Paulo
Selected Solo Exhibitions
2024
Bronx Museum, New York (upcoming)
Leonora de Barros: Fogo no Olho, Museu Paranaese, São José dos Pinhais, Curitiba
2023
Não Vejo a Hora (I Can't Wait), Gomide & Co. Gallery, São Paulo
2022
Lenora de Barros, Minha Língua, Pinacoteca do Estado, São Paulo
To Double Images is to Multiply or to Divide Ideas?, Georg Kargl Fine Arts, Vienna
Retromemória – a dialogue with Louise Bourgeois’s Spider, Museu de Arte Moderna de São Paulo, São Paulo
2019
Wanted by Myself, Georg Kargl BOX, Vienna
CAL Collection - Casa Niemeyer, Universidade de Brasília, Brasília, Brazil
2018
SÓ Línguas, Galeria Millan, São Paulo
2017
Pisa na Paúra (Step on Fear), Galeria Millan, São Paulo
2016
ISSOÉOSSODISSO (THISISTHEBONEOFTHIS), Paço das Artes e Oficina Oswald de Andrade, São Paulo
XÔ-DOR, Parede da Gentil, Gentil Carioca, Rio de Janeiro
2015
Volume Morto (Dead Volume), Auroras, São Paulo
2014
Umas e Outras (Some and Others), curated by Glória Ferreira, PIVÔ, São Paulo
2013
Umas e Outras (Some and Others), curated by Glória Ferreira, Casa de Cultura Laura Alvim, Rio de Janeiro
2011
Sonoplastia (Sound Effects), Galeria Millan, São Paulo
Destempos (Dis times), Laura Marsiaj Arte Contemporânea, Rio de Janeiro
2010
Revídeo, Oi Futuro Flamengo, Rio de Janeiro
Issoéossodisso (Thisistheboneofthis), Passagem Project, Oi Futuro Ipanema, Rio de Janeiro
2009
Só por es-tar (Just for be-ing), Galeria Millan, São Paulo
2008
Temporália (Timely), Galeria Millan, São Paulo
2007
Retalhação (Retaliation), Centro Universitário Maria Antonia-CEUMA, USP, São Paulo
2006
Não quero nem ver (I don’t want to see nothing), Paço Imperial, Rio de Janeiro
2005
Não quero nem ver (I don’t want to see nothing), Temporada de Projetos, Paço das Artes, São Paulo
2003
Procuro-me-Procura-se (Wanted by myself – Wanted), video-installation, ARCO, Up and Coming, curated by Miguel Hafe Von Perez, Madrid
Ping-poems, Fundação do Centro de Estudos Brasileiros, Buenos Aires
2002
Game is over, Galeria Laura Marsiaj Arte Contemporânea, Rio de Janeiro
Procuro-me (Wanted by myself), Centro Cultural Sérgio Porto, Rio de Janeiro
Procuro-me (Wanted by myself), Centro Universitário Maria Antonia, São Paulo
2001
O que que há de novo, de novo, pussyquete? (What’s new, is a new, pussycat?), Galeria Millan, São Paulo
1990
Poesia é coisa de nada (Poetry is something from nothing), Galeria Mercato del Sale, Milan
Selected Group Exhibitions
2024
Body at Play, Georg Kargl BOX, Vienna
MACBA Collection. Prelude. Poetic intention (curated by Elvira Dyangani Ose, Antònia Maria Perelló, Patricia Sorroche and Teresa Tejada), MACBA, Buenos Aires, Argentina
Isita ao acervo #4 - Diálogos, Galeria Anita Schwartz, Rio de Janeiro
Politica e Vanguarda (1964)/85)na colecao Lili e Joao Avelar (curated by Joao Avelar), Museu Inimá de Paula, Belo Horizonte – MG, Brazil
2023
Lingua Franca, Bratislava City Gallery, Bratislava
POW e/ou BLEFE, Massapê Projetos, São Paulo
Mostra da Coleção Itaú de Fotografia Brasileira (curated by Eder Chiodetto), Instituto Tomie Othake, São Paulo
Narrativas em Processo: Livros de Artista na Coleção Itaú Cultural (curated by Felipe Scovino), Museu de Arte do Rio (MAR), Rio de Janeiro
Off-Register: Publishing Experiments by Women Artists in Latin America, Center for Book Arts, New York
50 Años, SUBTE, Montevideo
Casa no Céu, Galeria Vermelho, São Paulo
The Square, Bottega Veneta, Casa de Vidro Lina Bo Bardi, São Paulo
Qué Cosa, La Poesía Visual? Centro Cultural Kirchner, Buenos Aires
Anita Schwartz XXV, Galeria Anita Schwartz, Rio de Janeiro
Future Brazil: The Forms of Democracy, Museu Nacional da República, Brasilia
Le Plaisir du Texte, Musée des Beaux-Arts, Le Locle
2022
Konkret Global, Kulturspeicher Würzburg, Würzburg
Janelas, Bibliothèque Jean Laude, Musée d´Art Moderne et Contemporain, Saint-Étienne
Des(hechos) del lenguaje. Desvaíos gráficos, sonoros y perfomativos, Museo del Grabado, Buenos Aires
the other world, the world of the teapot. tenderness, a model, Kestner Gesellschaft, Hannover
Arte Atual - Por muito tempo acreditei ter sonhado que era livre, Instituto Tomie Ohtake, São Paulo
The Milk of Dreams, 59th International Art Exhibition of La Biennale di Venezia, Venice
Oh, I Love Brazilian Women!, apexart, New York
Cartas ao Mundo, Sesc Paulista, São Paulo
Terra em Tempos: fotografias do Brasil, MAM Rio, Rio de Janeiro
Parada 7: Arte e, Resistência, Centro Cultural da Justiça Federal e Centro Municipal de Arte Hélio Oiticica, Rio de Janeiro
KLANGFARBENMELODIE: melodia de timbres, Galeria Anita Schwartz, Rio de Janeiro
Dangerous Beauty /Revisited/ (curated by Stefan Stoyanov and organized by Public Art Foundation and Art Agency), Public Art Foundation, Bulgaria
REVIRAVOLTA, Museu de Arte do Espírito Santo e Galeria Homero Massena, Vitória, Brazil
Stas e Turmalina (Arrows and Tourmalines), Casa de Cultura do Parque, São Paulo
2021
Oh, I Love Brazilian Women, apexart, New York
A máquina do mundo, Arte e indústria no Brasil 1901-2021, Pinacoteca do Estado de São Paulo, São Paulo
Ausente Manifesto, Ver e Imaginar no Arte Contemporanea, SESC, São Paulo
10th 3M Arts Exhibiton – Common Place: Crossings and communities in the city. Alto do Ipiranga Metro Station, São Paulo
Babaloo Monsters, Fortes D’Aloia & Gabriel Gallery, São Paulo
Brazilianism – Postmodernism, CCBB, Rio de Janeiro
Air, Casa de Cultura do Parque, São Paulo
The Poetry of Translation, Merano Arte, Merano
GEORG KARGL EDITIONS, Georg Kargl Permanent, Vienna
2020
Mostra Crear Mundos (Create Worlds Show), Fundación Proa, Buenos Aires, Argetina
10th 3M Arts Exhibiton – Common Place: Crossings and communities in the city. Ibirapuera Park, São Paulo
Tools for Utopia. Works from the Daros Latinamerica Collection, Kunstmuseum Bern, Bern
In aller Munde. Das Orale in Kunst und Kultur, Kunstmuseum Wolfsburg, Wolfsburg
Attempt at Rapprochment, Georg Kargl Fine Arts, Vienna
In the Heat of the Hour, M.A.P.A – Modes of Action for Propagating Art, Viva Projects, outdoor at Belo Horizone, Brazil
DEMOCRACY AND FREEDOM, DOC Galeria, outdoor at Paulista Av., São Paulo
Poetic/Political Body, Portas Vilaseca Galeria, Rio de Janeiro
Central Duo, IKREK Editions, Mario de Andrade Library, São Paulo
Samba in The Dark, Anton Kern Gallery, Nova York, New York
2019
Der Montierte Mensch, Folkwang Museum, Essen
ShipShape, exposição para Anozero – Bienal de Arte Contemporânea de Coimbra, A Terceira Margem, Coimbra
Em Forma de Família – Lenora, Geraldo e Fabiana de Barros, Galeria Roberto Alban, Salvador
Estratégias do Feminino, Farol Santander, Porto Alegre
MANJAR Para Habitar Liberdades, Solar dos Abacaxis, Rio de Janeiro
Mulheres em Cena, Paço das Artes na Pinacoteca Forum das Artes, Botucatu
Aurora Picture Show, Houston, USA
Experienza Live Cinema #4, OM.Art, Rio de Janeiro
2018
Political Adorno, Maus Hábitos Cultural Intervention Space, Porto, Portugal
Brasília Extemporânea, curated by Ana Avelar, Casa Niemeyer
Arte-veículo, curadoria de Ana Maria Maia, SESC Pompéia, São Paulo
Estratégias Conceituais Bergamin & Gomide
Intervenções Urbanas – Fogueira de Gelo, curated by Ulisses Carrilho, Morro do Pão de Açúcar, Rio de Janeiro
I Mostra de Filmes de Artista – Espaço Cultural porto Seguro, São Paulo
Radical Women: Latin American Art, 1960-1985, Hammer Museum, LA,
Brooklyn Museum, New York-NY, USA; Pinacoteca do Estado, São Paulo, Brasil
Ready Made in Brazil, curated by Daniel Rangel, FIESP, São Paulo
The Way You Read A Book Is Different To How I Tell You A Story, Curated by Marta Ramos Yzquierdo, Jahn und Jahn, Munich, Germany
Palavra-Coisa, curated by Daniel Rangel, Galeria Carbono, São Paulo
A Tale of Two Worlds. Experimental Latin American Art in Dialogue with the
MMK Collection 1940s-1980, MMK - Museum of Modern Art, Frankfurt
2017
FORMAS, Galeria Jaqueline Martins e Galeria Milan, Edificio Bratke, São Paulo
Radical Women: Latin American Art, 1960-1985, Hammer Museum, Los Angeles, USA
L’Éloge de L‘Heure”, Le Grand-Hornu, Hornu, Belgium
Experienza Live Cinema #1, New Jersey, USA
Past/Future/Present, Contemporary Brazilian Art from the Museum of Modern Art, São Paulo; Phoenix Art Museum, Arizona; MAM, São Paulo
Beyond the Page, print exhibiton, Brazil
2016
Ver con los oídos – Poeticas de Las temporalidades, SIART – Bienal Internacional de Arte, La Paz, Bolivia
Paisagens Invisíveis / Invisible Landscapes, Museu Brasileiro de Escultura MUBE, São Paulo
Riso e Lágrima não tem sotaque / Laughter and Tears Have No Accent, Camden Arts Centre, London, England
Experimentação e Visualidade na Poesia / Experimentation and visuality in poetry, São Paulo-SP, Brazil
Indelével, at Arte Clube Jacaranda, Villa Aymoré, curated by Vicente de Mello, with Iole de Freitas, Janaina Tschape, Maria Laet and Virginia de Medeiros, Rio de Janeiro
Soft Power - Arte Brasilin in tandem with Eli Sudbrack and Cid Campos, Kunsthal KadE, Amersfoort
Space to Dream: Recent Art from South America, Auckland Art Gallery Toi o Tāmaki, curated by Zara Stanhope and Beatriz Bustos Oyanedel, Auckland, New Zealand
2015
Resistance Performed – Aesthetic Strategies under Repressive Regimes in Latin America, Migros Museum, Zurich
Poem Nº 00000000000000000000000000000, 9 curators: Stefania Palumbo, Gigiotto Del Vecchi, Suportico Lopez & Mendes Wood, São Paulo
Reverta – Arte e Sustentabilidade (Reverta - Art and Sustainability) na Oca, Parque do Ibirapuera, São Paulo
L’Eloge de l’heure, MUDAC - Musée de design et d’arts appliqués contemporains, Lausanne
Encruzilhada, curated by Bernardo Mosqueira, Escola de Artes Visuais do Parque Lage, Rio de Janeiro
Regarding Forms, Solo Project, ARCO Madrid, curated by Kiki Mazzuccheli, Emiliano Valdês, Miguel A. Lopez, Madrid
Frestas – Trienal de Artes, curated by Josué Mattos, Sorocaba
Alimentário, Museu de Arte Moderna do Rio do Janeiro – MAM, Rio de Janeiro
2014
we have nothing to say, Mandragoras Art Space, New York, USA
CUT, PASTE, REPAIR: A Hundred Years of Collage, Sicardi Gallery, Houston
PREGAÇÃO, Pioneer Works, Brooklyn
ULTRAPASSADO I and II, Broadway 1602, New York
Estado de Suspensão, COLETOR, São Paulo
Poder provisório – Fotografia no Acervo do MAM, curated by Eder Chiodetto 31 mar-15 jun, Museu de Arte Moderna de SP, São Paulo
140 Caracteres, Museu de Arte Moderna de São Paulo – MAM, São Paulo
MAR – Museu de Arte do Rio Collection, Rio de Janeiro
2013
30th Biennal – Transformations in Brazilian art from the 1st to the 30th edition, Fundação Bienal de São Paulo – Parque Ibirapuera, Portão 3, São Paulo
17th Biennal of Cerveira, Cerveira
Panoramas do Sul, 18th Contemporary Art Festival Sesc Videobrasil, São Paulo
Everywhere but Now, 4th Thessaloniki Biennial of Contemporary Art
Circuitos Cruzados: O Centre Pompidou encontra o MAM, Grande Sala e Sala
Paulo Figueiredo Museu de Arte Moderna de São Paulo – MAM, São Paulo
FOOD – Reflections on Mother Earth, Agriculture, and Feeding by Artists and Filmmakers, Musée Ariana / Spazio Oberdan, Milan
III Mostra do Programa de Exposições 2012, Centro Cultural São Paulo
Para além do arquivo, Paço das Artes SP, instituição da Secretaria de Estado da Cultura, e o Centro Cultural Banco do Nordeste (CCBNB), Fortaleza
Itaú Collection of Brazilian Photography, curated by Eder Chiodetto, Paço
Imperial – Centro Cultural do IPHAN, Rio de Janeiro
Trienal Poli-Gráfica de San Juan América Latina y el Caribe Edición 2012: El Panal – The Hive, Caribe
VOX – Soledad Arias / Lenora de Barros / Sam Winston, Alejandra von Hartz Gallery, Miami, USA
2011
Caos e Efeito, ITAU Cultural, São Paulo
11th Biennial of Lyon – Une terrible beauté est née, Lyon, France
Mapas Invisíveis, Caixa Cultural, Conjunto Nacional, São Paulo
MERIDIANOS, (dialogs program about art organized by Casa Daros
Latinamerica-RJ, Oi Futuro, MAM-RJ e CCBB-RJ) that resulted in the elaboration of a film-performance with the conception of Lenora de Barros and the Mexican artist Teresa Serrano, Rio de Janeiro-RJ, Brazil
2010
Jogos de Guerra, Memorial da América Latina, curated by Daniela Name, São Paulo
2009
Radiovisual (Artist-curator), 7th Mercosul Biennial, 2009 – Grito e Escuta (Screaming and Hearing), Porto Alegre
FOR YOU, The Daros Latinamerica Tapes and Video Installations, Zurich
2008
Heteronímia Brasil, curated by Adolfo Montejo Navas, Museu de América, Madrid
MAM 60, curated by Annateresa Fabris e Luiz Camillo Osorio, Museu de Arte Moderna de SP, São Paulo
2007
Arte, Deshonra y Violencia en el contexto Iberoamericano, Cubo del Centro Cultural de España, Montevidéu
Mulher, mulheres – um olhar sobre o feminino na arte contemporânea (Woman, Women – a look over the feminine in contemporary art), curated by Adelina von Fürstemberg, SESC Paulista, São Paulo
Entre a Palavra e a Imagem (Between the word and the image), Museu da Cidade (Pavilhão Branco), Lisbon
2006
MAM(na)OCA, Museu de Arte Moderna de São Paulo – MAM-SP, São Paulo
Desidentidad, Institut Valencià d’Art Moderne – IVAM (em parceria com MAM-SP), Valencia
Arquivo Geral (Laura Marsiaj Arte Contemporânea), CAHO, Rio de Janeiro
Manobras Radicais, Centro Cultural Banco do Brasil, Paulo Herkenhoff and Heloísa Buarque de Hollanda São Paulo
2005
4th Biennal of Mercosul, Porto Alegre, Brazil. Não quero nem ver, Paço das Artes, São Paulo
Tudo é Brasil, Paço Imperial, Instituto Itaú Cultural, Rio de Janeiro-RJ, Brazil
Múltiplos, Galeria Laura Marsiaj, Rio de Janeiro
2004
Palavra extrapolada, Sesc Pompéia, São Paulo
I Congresso Internacional Mídias: Multiplicação e Convergências, Faculdade Senac, São Paulo
A subversão dos meios, Instituto Itaú Cultural, São Paulo
Imagética, Fundação Cultural de Curitiba, Curitiba
2003
Artefoto, Centro Cultural Banco do Brasil, Rio de Janeiro
2002
1st RioArt Show, Museu de Arte Moderna do Rio de Janeiro – MAM-RJ, Rio de Janeiro
Visual Poetry, Mexic-Art Museum, Austin / Diverse Works Foundation, Houston (TX)
2001
Coleções 1, LGC Gallery, Rio de Janeiro / Luisa Strina Gallery, São Paulo
The overexcited body – Arte e Esporte na Sociedade Contemporânea, Palazzo Arengario, Milan/ Sesc Pompéia, São Paulo
2000
Ping-poema para Boris, na mostra Prêmio Multicultural do Estadão, Sesc Pompéia, São Paulo
Território Expandido, Sesc Pompéia, São Paulo
1998
24th Biennal de São Paulo, Brazil
1996
Do Ex-Libris a Home-Page, Paço das Artes, São Paulo
Utopia, Casa das Rosas, São Paulo
1995
4th Internacional Studio of Image Technology, Unesp and Sesc Pompéia, São Paulo
1994
Arte Cidade – A Cidade (e) Seus Fluxos (City Art – City And It’s Fluxus, Vale do Anhangabaú, Edifício Guanabara, São Paulo
A fotografia contaminada, Centro Cultural São Paulo, São Paulo
1993
3rd Internacional Studio of Image Technology, SESC Pompéia, São Paulo
1992
Transfutur – Visuelle Poesie, Galeria Pankow, Berlin
1990
Transfutur – Visuelle Poesie, Kunstetage de Kassel, Kassel
1983
17th Internacional Biennial of São Paulo, Biennial Foundation of São Paulo
1982
Arte em videotexto, Museu da Imagem e do Som – MIS, São Paulo
Performances
2014
we have nothing to say, Mandrágoras Art Space, in tandem with Laura Lona, New York, USA
PREGAÇÃO (NAIL ACTION) in tandem with the exhibition with Tunga, Pioneer Works, Brooklyn
2008
Errática, Poema ao Vivo, CCBB, Rio de Janeiro and São Paulo
2007
Para Ver Em Voz Alta (To see in loud voice), Errática, Poema ao Vico, CCBB, Rio de Janeiro
2004
Procuro-me (Wanted by myself), Cidade em Mutação, SESC Pompéia, São Paulo
2003
Poemix Brasil, 6th Romapoesia Festival, Rome
2002
Espetáculo Poético, Poemix Brasil, 6th Festival Romapoesia, Roma
2001
(Des)Encorpa – o corpo não mente, SESC Pompéia, São Paulo
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