curated by Rosa Rendl
The Shop
4secco, AB, Hulfe, Knuddi2000, Lonely Boys, Malumer, Nicole Maria Winkler, PMS, Rendl, VMT
Events:
Thursday, July 9, 2020, 8pm
Olivia Karabacek´s Greatest Hits
Performance
Saturday, July 25, 2020, 7pm
Tipsy Tina
Performance under the direction of Anna Hostek
Set design: 4secco
Contributors: Aline Rainer, Henrietta Rauth, Miriam Adefris
A shop as a show as a shop as a show
“Q: What is the relevance of fashion to art?
A: Good art should not look at fashion but good fashion can look at art *.”
Art and fashion have forever been entwined, as two sisters too close in age to understand who’s influencing the style of whom. You could talk about Coco Chanel’s collaboration with Pablo Picasso on a series of costumes and scenery for the Balletts Russes in 1920s or about designer Elsa Schiapparelli’s endless exchanges throughout the 1930s and 1940s with Salvador Dalì, Alberto Giacometti and Meret Oppenheim; Sonia Delaunay designed clothes and textiles in tandem with her vivid artworks, and Yves Saint Laurent returned to art again and again throughout his career.
The list is endless.
Sketch a pattern, measure the waist
But as every love story there are two sides of the narrative, in this case influenced by social, political, economic and aesthetic timely conditions. Usually portrayed as bohemian figures detached from financial dynamics, artists in the late 1980’s became increasingly interested in quicker forms of exchange-value and the exposure that fashion could provide.
Can Capitalism be a freeing tool?
Cut, measure an arm, measure the length
The 1990’s were characterised by a strong focus on independence and collaboration between peers, as it was Sarah Lucas’s and Tracey Emin’s iconic East London project The shop, mainly selling cheap merchandising and operating as community hangout, or Susan Cianciolo experimenting with deconstructed DIY elements from her studio in Downtown NY. The collective Bernadette Corporation was initially conceived as a morphing identity playfully engaging with the high fashion system. Catwalk shows featured mascots in bear costumes and, once, a group of cheerleaders.
The unconventional brand BLESS, active between Paris and Berlin, extended the idea of fashion to products and accessories imagined as a holistic life-style. The 2000s were marked more by achieving economical sustainability in rapidly gentrifying corporatised cities, whilst the digital revolution, social media and the 2008 financial crisis saw the emergence of distributed forms of existence and precarious labour conditions.
What are the possibilities of politicizing alternative identities?
Neck, shoulder line, back
The Shop curated by artist Rosa Rendl for Georg Kargl PERMANENT space showcases the work of artists engaging with fashion, design and merchandising. Maintaining ‘in spirit’ the punk-attitude of Emin and Lucas’s shop of the same name, Rendl wants to create a community hangout and peer platform whilst presenting the fluid intersection of these fields. The gaudy PMS (Premenstrual Syndrome) T-shirts by artist Marlie Mul, hang near the surreal body extensions designed by Hulfe, the project of artists Lilli Thießen and Daphne Ahlers. Lonely Boys -Rendl’s sound collaborative alter ego with Ahlers- merchandise also appears throughout the space. Pluriball and recycled packaging form the experimental shopping bags of Knuddi2000 developed by artist Schirin Charlot whilst second-hand clothes and Trachten garments become new items in the infinite cut and paste reconfigurations by 4secco, the joint venture of Anna Hostek and Katharina Strak. VMT (Vaginal Mystery Tour) sculptural wearables, a collaborative project by artists Seyoung Yoon and Joon Yeon Park, play with prints, pop-culture and objects, whilst the absurd Malumer pieces created by artist Luna Mae Heflin are at once clothing, painting, and sculptures, willingfully ignoring any form of expertise and classical tailoring in their making. Rendl swimwear collection is displayed pinned on an AB patterned canvas, a collaboration between artist Adrian Buschman and the historical textile company Backhausen. Reinforcing the cobweb of connections across artistic positions, the exhibition becomes a retail platform and a laboratory to test the current status of the art object. Peer to peer, and featuring a series of practitioners that playfully experiment with their work, even the show has a double identity.
The shop is a show as shop as a show.
Text by Attilia Fattori Franchini
*I-D Magazine. April 2001, ‘The Gallery Issue’.
Biography
born 1983 in Baden, lives and works in Vienna
Solo and Duo Exhibitions
2023
UNWORD/REJECTION (with Ketty La Rocca), MLZ Art Dept, Triest
2022
Colour Charts, Georg Kargl BOX, Vienna
2019
Rejection, Kunstraum Weikendorf, Weikendorf Kartell, Georg Kargl BOX, Vienna
2018
Opportunity Lover, Kunstwerke - Institute for Contemporary Art, Bob´s Pogo Bar, Berlin
Vilgefortis, Lonely Boys and Battle-Ax, Cordova, Barcelona
2017
Playing, Gillmeier Rech, Berlin Concerts of Coreality, Lonely Boys, Sandy Brown, Berlin
2016
Holy and Repulsive, Lucas Hirsch, Düsseldorf
2015
What You Desire, Belvedere21, Vienna
2014
How Alive Are You, Bar Du Bois, Vienna
Selected Group Exhibitions
2024
You You, curated by Kate Sutton, Lombardi—Kargl, Wien
Body at Play, Georg Kargl BOX, Vienna
2022
Tipsy Tina, Kunsthalle Exnergasse, Vienna
2021
Posters by artist bands, Fluc, Vienna
GEORG KARGL EDITIONS, Georg Kargl Permanent, Vienna
Stay Brief, and Leave, Fondation Pernod Ricard, Paris
2020
Would You Be Available…, Georg Kargl Permanent, Vienna
Soft View / Privatissime, Neuer Essener Kunstverein, Essen
Attempt at Rapprochement, Georg Kargl Fine Arts, Vienna
The Shop, Georg Kargl Permanent, Vienna
2019
On the New - Young Scenes in Vienna, Belvedere21, Vienna
On the New, Kunstraum Innsbruck, Innsbruck
Performance by Appointment, Georg Kargl Fine Arts, Vienna
Lonely Boys performance, Fri-Art, Kunsthalle Fribourg, Fribourg
Sketch I, Halle für Kunst Lüneburg, Lüneburg
DAMA Project, Lonely Boys Performance, Torino
2018
Lonely Boys performance at Roter Salon, Volksbühne, Berlin
Culture Wear, Space31, Berlin
Sunglasses, Sundogs, Paris
2017
Aaahhh!!!, Lonely Boys performance, Paris International, Paris
Selfie Mania, Gebert Stiftung, Rapperswil
Ritual, Lambdalambdalambda, Prishtina
A night for lonely boys, Kunstwerke - Institute for Contemporary Art, Berlin
In Awe, Kunsthalle Exnergasse, Vienna
Floating Self, Salzburger Kunstverein, Salzburg
Der Verdienst, 2014-2017, The Oracle, Berlin
How far to open up?, Forum Stadtpark, Graz
2016
The Language of things, Belvedere21, Vienna
Dreaming Dictionary, Skulpturinstitut, Vienna
Boil the Ocean, Bodega, New York
Humble Habits Domestic Monuments, HHDM, New York
2015
White SLR, New Bretagne Belle Air, Essen
BOYS, Lonely Boys performance, Halle für Kunst, Lüneburg
NEW NEEDS, Haus Wittmann by Johannes Spalt, Etsdorf/Kamp
Time to Fill up the Glass, Galerie Crone, Berlin
Lonely Boys performance, Künstlerhaus Halle für Kunst und Medien, Graz
2014 Let’s Mingle, Franz Josefs Kai 3, Vienna
Pcnc_Bay XII, Ve.sch, Vienna
Curatorial
2020
The Shop, Georg Kargl Permanent, Vienna
2016
F-Holes, Humble Habits Domestic Monuments, co-organized with HHDM, New York
2015
New Needs, co-curated with Isabella Ritter, Haus Wittmann by Johannes Spalt, Etsdorf/Kamp
Grants / Residencies
2022
State Scholarship for artistic photography, Austria
2016
Recognition Award for Fine Arts, City of Baden
2016
Artist Residency, New York
2012
Artist Residency, Cité des Arts, Paris
2010
Unit-F Editorial Award
Start Scholarship for artistic photography, Austria
Projects
since 2010 LONELY BOYS - performance duo with Daphne Ahlers
since 2013 RENDL – swimwear label
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